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CLIENTS
"Our recording sessions with Rich Mays far exceeded our expectations: they were at once insightful, challenging, professional, and fun. Rich often took good performances and help craft them into great performances with ideas, commentary and questions that brought out the best of all the musicians in a manner very much akin to a masterclass. He knows his stuff, that is for sure, and his goal is to bring out the best of the ensemble. He was a collaborator, not merely someone pushing the record button, and this makes all the difference in the world."
Bruce Barber Organist and Choirmaster
Cathedral of St James, Chicago
"Recording my first album with Rich Mays was truly a wonderful experience. Rich holds very high standards, insists on the finest location and equipment, and has a great ability to hear even the smallest musical details. I trusted his judgment implicitly and the result is a recording of remarkably pure sound."
Linda Cionitti Professional Clarinetist
Georgia Southern University, Statesboro
"Recording the Covenant Presbyterian Church Choir and the Aeolian-Skinner organ was a great experience for all involved. The first day we recorded four major organ works. Rich Mays has an extensive knowledge of the repertoire and offers insightful, constructive criticism. Likewise he has great knowledge of choral repertoire and choral blend. He offered many suggestions that improved our sound and challenged us to strive beyond our usual goals. Our recording far exceeds my original expectations."
Stephen Talley Minister of Music
Covenant Presbyterian Church, Charlotte
"Working to produce a recording with Rich is a positive experience all the way around. It is a great learning opportunity for your choir. He is meticulous and will help you draw the best out of your ensemble. The results he achieves speak for themselves."
Michael Velting Organist & Choirmaster
Christ Church Cathedral, Nashville
"The value in using Sonare has much to do with Rich Mays' double-sided expertise as a recording engineer and a professional musician. Microphone placement, the recording, and the editing are all processes infused with artistic prowess and critical ears. We were most pleased with the results from our choral disc and hope to work with Sonare on future recordings."
Brad Hughley Organist & Choirmaster
St Bartholomew's Episcopal Church, Atlanta
"Our company was very pleased to find a recording engineer that understood the complexity of recording the King of Instruments and was sensitive to our questions and concerns. Our apprehension was to reproduce the organ on disk with the same energy and color we knew it to be live and he worked diligently to assure that this occurred as a faithful representation. We have used Rich for two recordings and look forward to additional projects in the future."
Arthur Schlueter III
A. E. Schlueter Pipe Organ Company
"I thought you did a really great job of capturing the natural sound of the acoustic instruments. It was like I was in the same room with the band! I wish all jazz recordings could sound like this."
Wycliffe Gordon
Jazz trombonist extraordinaire
New York City
"Rich understands how a live musical recording is supposed to sound: like you are sitting in front of the musicians themselves. That is why we have used him for years to record our events."
Rob Gibson
Executive & Artistic Director
Savannah Music Festival
"Rich made our first recording experience painless and fun. His ability to work with a variety of instrumental and vocal ensembles was particularly helpful. The quality of the engineering and the final product were beyond our highest expectations. Our congregation loves the CD."
Keith Reaves
Minister of Music/Music
First Baptist Church, Rome GA
"As a professional musician, I appreciated the experience in music that you brought to this project. Your knowledge of and sensitivity to issues of choral music in particular were very evident in the way you dealt with the ensembles during the recording session and in the time you and I spent in post-production editing. It was great to have another set of capable ears to help arrive at the best product possible."
Dr. David Brown
Director of Choral Activities
Armstrong Atlantic State University, Savannah GA
"Thanks again for your great work. I think it turned out beautifully in every respect, and you were so good with the choir that day!"
Dr. John W. Semingson
Director of Music Ministries
Westminster Presbyterian Church, Nashville TN
"We've been mixing some orchestral tracks at Arf! recorded by Rich. The brass sound like real brass - warm and full. A difficult accomplishment, especially considering they were tracked in the orchestra pit during a live show."
Alan Silverman
Arf! Digital Mastering
New York City
"It was a pleasure to collaborate with Sonare and Rich Mays on this CD project. Rarely do you find someone who has the choral and organ expertise who can also provide such refined recording and editing techniques. The production was indeed a collaboration. This most recent CD for us has exquisite audio which it has made us very proud."
Dr. Stephen G. Schaeffer
Director of Music and Organist
The Cathedral Church of the Advent, Birmingham AL
"I just got back from a visit to Alan Silverman's "Arf! Digital" mastering studio here in NYC. We listened to the 'Body and Soul' [performance] tracks and he was very, very impressed with the recording quality. So once again, thanks for doing a great job."
Stuart Math
Stuart Math Films
New York City
"The recorded sound was exquisite. Rich uses the finest technology has to offer, but more than that, has the knowledge necessary for proper mic placement to achieve optimum results. We used our CD as a fundraiser for our church music program, and had paid off the cost and were making money within the first week of sales. Rich's editing ability allowed for a recording that showed the choir at its best. Most helpful was the fact that Rich is an accomplished musician himself and can make quick and pertinent suggestions that make the final recorded product better."
C.G. Walden
Director of Fine Arts
Decatur First United Methodist Church, Atlanta GA
"Rich Mays is a
pleasure to work with. His professional manner, technical
skills and organization of time are very proficient and effective as is his
evident joy in the collaboration of making music."
Kenneth Schermerhorn
Conductor and Music Director
Nashville Symphony Orchestra
"It was such a
pleasure to work with Rich Mays on our last recording project. Doing a
"live" session was really a challenge, and Rich rose to it
with flying colors. Having a REAL musician doing the editing made my job
a whole lot easier, BRAVO!"
Scott Atchison
Organist and Choirmaster
Peachtree Road United Methodist Church, Atlanta GA
"Sonare has
served all recording needs for
the Savannah Symphony Orchestra for five seasons. We have always
not only
been satisfied but delighted with results. He is a rare
combination-- an
expert audio engineer and professional musician in his own right.
Recently, I have been doing many commercial recordings abroad. I
can say
without hesitation that Rich's work is equal to or in many instances
superior to these."
Philip Greenberg
Conductor and Music Director
Savannah Symphony Orchestra
"I am extremely pleased with the recording of the inaugural CD of
our new organ. The sound is just what I had hoped for, and the editing
was very professional. His knowledge of not only all the digital
technology and microphone placement, but also of the organ repertoire
and the instrument itself was very useful . It was an added bonus to
have him tune a pipe in the middle of our recording
session!"
Sarah Hawbecker, Organist
Lutheran Church of the Redeemer Atlanta, Georgia
"I have made recordings in New York, Toronto and Scandinavia, but
I have rarely found a recording engineer as outstanding as Rich Mays.
The fact that he is an artist himself might account for his unerring ear
and musical taste. The recording he produced for our choir was nothing
short of sensational!!"
Maya Duesberg Roos
Director of Choral Activities
Savannah Country Day School
"I have been familiar with and benefitted from Rich's
engineering and editing talents for 20 years, and can say that he brings
as much artistry to the project as the musicians. His present level of
work does not suffer in any way when compared to what I experience as a
player in a major orchestra that records regularly."
Mark Hughes
Assistant Principal Trumpet
Atlanta Symphony Orchestra
"In the recording we made together, Rich captured the sound
of the
pipe organ, brass, percussion and room superbly. His own
suggestions were
insightful, and his flexibility and professionalism made the entire
experience a rewarding one."
Dr. Paul S. Jones
Organist and Music Director
Tenth Presybterian Church, Philadelphia, PA
"Sonare's recordings of Savannah Music Festival concerts
are always accepted by Georgia Public Radio and National Public Radio
for on-air broadcast. Rich is efficient, prompt and thoroughly professional."
Savannah Music Festival
"I was truly amazed at how well Rich could on-the-fly mix
tunes that he had never heard before for our 9-piece acoustic ensemble.
The recording session went smoothly and we never got bogged down with
equipment glitches."
David Duckworth
Recording Artist and Producer/Arranger
"What Sonare brought to our on-site recording experience
was simply heads above anything we had experienced previously. He was
not only punctual, a team player, but he also put our entire group at
ease in the taping process, and the final product mirrored all the hard
work our performers had put into it. Rich is a gem-- an artistic
recording engineer."
Mark Williams
Conductor, Composer, Professional Musician
"Mr. Mays has an intimate knowledge of music, (both
choral and instrumental), the technical aspects of producing a CD and
most importantly how the two interplay. His production advice during
recording and his attention to detail in putting our disc together
helped us to offer a high-quality recording for national
distribution."
Brian J. Taylor, organist-choirmaster,
St. John's Church, Savannah
"Rich Mays brings a plethora of experience to his
recordings. He is a savvy engineer, a well trained musician and one who
understands all of the intricacies of the recording
process."
Tom Elliot
Trombonist, Westminster Brass
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